Project on Conservation Studies by 8 semester students of Manipal School of Planning & Architecture, MAHE, under the guidance of our professor, Mrs. Sarmistha Chatterjee.

” Design creates culture. Culture shapes values. Values determine the future. “
Robert Peters
Mapping is a strategy to learn the various cultural and commercial activities happening along the streets and the impact of the Udupi Krishna Temple on these settlements.
This assignment helped in mapping streets of the temple precinct in Udupi, using methods that explore the intersection of built mass and social space, form and time, and uses and changes in these collectively owned, common voids. Techniques engaged the power of representation and data visualization for both understanding and shaping a perception of looking at the heritage fabric of this unique temple town.
The street encompasses old buildings which create a way-finding to the southern entrance of the Udupi Temple. To capture all the elements and activities happening along the street, it was first divided into six zones and each group containing a set of students was given a zone to map.

Along the Zone 5, the Badagupete lane has a character of its own. Be it the 125 year old building or the vibrance of their facade colors, it seemed very vital to retain the essence of the heritage fabric of this lane.
This street of the temple complex is a living history narrating the stories of Udupi’s culture. Streets play an integral role in a town like Udupi where it acts as an important public space for celebrating festivities and for social interaction. There is a distinct culture in the town of Udupi as a mark of its cultural, religious and social significance. The temple influenced the growth of the settlements in this precinct and hence, the commercial activities along the lane multiplied.


These buildings mainly function as residences and commercial shops in the present day. The development of the temple precinct led to establishing a variety of shops like those of Silverware, Ration, Linseed Oil, Pickles, Garments, Laundry and a Mechanic’s garage. The variety of trade defines a hierarchy of the community that lives along the street. Each of these buildings showcase old architectural construction techniques as well as building materials. One such significant feature is the front porch of residences along the lane which behave as interaction spaces or gathering spaces for people of the family as well as the neighborhood. The high plinth and sit-out area in the porch defined the seating arrangement of persons based on the hierarchy of their social statuses.

The use of building materials like wood and mud explains that the structural frame of these buildings is inspired by that of the temple. Shared spaces or common interaction zones between two residences play a key role in socializing with the community and there is a need to retain the beauty of such social spaces. The buildings also display various tones of the color palette with a few structures having a touch of the modern vibrant colored facades.


From left, Shloka, Samad, Haripriya and Shivangi. Pic Courtesy: Edgar
With the developing infrastructure of towns, we understand that it is difficult to come up with road widening and drainage patterns without disturbing the heritage fabric of the context. Although to retain the essence of these commercial spaces, revamping a few structures and retaining each of these buildings will keep the tradition of the street alive. The various users, shopkeepers and traders of this street, whose pattern of hierarchy in their social statuses interests us also shall be unaffected by any new activity happening on the street. The introduction of new elements may reflect contemporary aesthetic ideals as modern additions to old buildings.

Shonak & Yashaswini












